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Saint-Saëns: Complete Sonatas (1)
Saint-Saëns: Complete Sonatas (1)
Composer
Camille Saint-Saëns
Artist
Mauro Tortorelli violin
Angela Meluso piano
Andrea Favalessa cello
Maria Semeraro piano
Akanè Makita piano
Soloists of the Accademia di Santa Cecilia Rome
Format
3 CD
Cat. number
97625
EAN code
5028421976259
Release
April 2025
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A unique collection of the instrumental sonatas by Saint-Saëns, in recent and critically praised Italian recordings.
The perfection of Saint-Saëns’s craftsmanship and the Gallic grace of his seemingly inexhaustible melodic muse were evident from early on in his career, composing as he did in childhood. No less evident was his faith in traditional forms such as the sonata. The works compiled here were composed over the course of half a century, during which time the world and musical culture evolved radically. Saint-Saëns evolved too, but only according to the principles to which he held faith – in tonality, in melodic elegance – throughout his long life and career.
In fact the composer was already 37 when he wrote the earliest piece here, the First Cello Sonata, in 1872. It does not seek to emulate the crowd-pleasing brilliance or wit of many of his best-known works but instead plots a dark, dramatic and often Beethovenian course through the conventional three-movement span. Compiling these sonatas in this way helps us to appreciate how, by the time we reach the First Violin Sonata of 1885, Saint-Saëns had begun to integrate competing imperatives of intensity and elegance.
It is curious that the composer’s later violin and cello sonatas have never achieved the popularity of his initial essays. Indeed, these Brilliant Classics recordings almost have the field to themselves in the catalogue. Yet they are surely underestimated, because Saint-Saëns had an almost endless capacity for reinvention – as he conclusively demonstrated late in life with three-fifths of a planned project to write five sonatas, all for instruments of the woodwind family. The instruments in these three works are scored for by the deft hand of a composer with a lifetime of experience writing for them in orchestral and chamber music settings.
Critical praise for these recordings from Fanfare:
‘Tortorelli and Meluso play [the Triptyque] sensitively; and Tortorelli, employing many idiomatic expressive devices, makes it sound almost sumptuous.’
‘I was impressed with the smooth yet powerful cello sound of Favalessa… Semeraro handles Saint-Saëns’s difficult piano parts with technical assurance and matches the wide range of musical colours in the cello. Their precision ensemble is evident and likely stems from their long collaboration.’
‘The performances here by the Santa Cecilia players cannot be faulted. These are all top-notch musicians who play with fine technique and musical finesse.’
- Camille Saint-Saëns, a virtuoso pianist and prolific composer, enriched the repertoire of sonatas for solo instruments and piano with works characterized by elegance, technical mastery, and lyrical beauty.
- The Sonata for Violin and Piano No. 1 in D minor, Op. 75 (1885) stands out as a masterpiece. A tour de force of Romantic expression, it traverses a wide emotional spectrum, from fiery passion to serene introspection. Similarly, his Cello Sonatas balance dramatic intensity with moments of tender lyricism, offering a richly textured dialogue between cello and piano
- Saint-Saëns's sonatas reflect his deep understanding of both solo instruments and piano, often demanding exceptional technical proficiency from the performers. Yet, they remain deeply expressive, rooted in the French tradition of clarity and elegance. His Oboe Sonata, Clarinet Sonata, Flute Sonata, Bassoon Sonata and Horn Sonata, written during his final years, demonstrate a more restrained, intimate style, emphasizing tonal beauty and succinctness.
- Played by Mauro Tortorelli (violin), Andrea Favalessa (cello) and the soloists of the Accademia di Santa Cecilia Rome.