Mazzaferrata: Canzonettas & Cantatas for 2 Voices Op.3

Mazzaferrata: Canzonettas & Cantatas for 2 Voices Op.3
Composer Giovanni Battista Mazzaferrata
Artist Carlotta Colombo soprano
Marta Fumagalli mezzo-soprano
Mauro Borgioni baritone
Lucia Cortese soprano
Gianluca Ferrarini tenor
La Ghirlanda Mosicale
Format 1 CD
Cat. number 96504
EAN code 5028421965048
Release April 2025

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About this release

This album features premiere recordings of works from the Opus 3 set of canzonettas and cantatas for two voices by Giovanni Battista Mazzaferrata (c.1640–1681). He was an Italian composer and organist from Pavia who studied with Tarquinio Merula and held capellmeister positions at Vercelli Cathedral (1658–63) and Ferrara’s Accademia della Morte (1665–81).

The Opus 3 set was published in Bologna in 1668 and dedicated to Count Angelo Porro of Milan, and this album features 6 of the 11 compositions comprising the collection: Libertà in Amor, Che impertinente usanza and Che t’ho fatto o Speranza are canzonettas; Angosciosi deliri and Tormenti, che volete? are more serious songs; and Rifiuto d’Amor is a cantata.

Formally, the compositions consist of several sections played attacca, featuring all the main baroque genres such as arias in duet, arias for solo voice with basso continuo, secco and accompanied recitatives and more ‘theatrical’ recitation. Mazzaferrata’s compositional technique achieves both expressive and textural contrasts between the sections. In accordance with the seconda prattica, there is a predominant ‘concerting’ (dialoguing) of the voices (even with the active presence of the instrumental bass) making use of counterpoint and imitation, canon, stretta and exchange of motives. The composer also employs rhetorical figures (theory of the affections) and madrigalisms (word painting) in all of the works. The vocal parts are virtuosic, foreshadowing bel canto-type colouratura, featuring melismas and large leaps.

Mazzaferrata’s music gives an impression of versatility: on the one hand these compositions were written well before 1680, according to the rhetorical rules set out by Baldassare Castiglione in Il libro del Cortegiano including the effortlessness (‘sprezzatura’) of Caccini and Peri and the influence of Monteverdi; yet there is innovation in fragments amounting to near late-Baroque with Bachian basso movimentato. The composer therefore constitutes a bridge between the past and the future.

Other information:
- Bilingual booklet in English and Italian contains liner notes by Paweł Strzelecki and profiles of all the artist

- This disc presents the first recording of the Canzonettas & Cantatas Op.3 by Giovanni Battista Mazzaferrata (c.1640-1681), an Italian composer and organist from Pavia, the pupil of Tarquinio Merula. He held positions as Maestro di cappella at Vercelli Cathedral and at the Accademia della Morte in Ferrara.
- These vocal works are on secular poetry, mostly dealing with Love, expressing both blissful happiness or tormented frustration.
- The emotions in the text are expressed by Mazzaferrate through modulations, cadences and an original use of chromatism.
- Beautifully sung by the three vocal soloists Carlotta Colombo (soprano), Marta Fumagalli (mezzo-soprano) and Mauro Borgioni (baritone). The instrumental ensemble includes trombone, guitar and organ/harpsichord.

Track list

Disk 1

  1. Giovanni Battista Mazzaferrata: Canzonettas & Cantatas for 2 Voices, Op. 3: I. Allegrezza allegrezza. Libertà in amor
  2. Giovanni Battista Mazzaferrata: Canzonettas & Cantatas for 2 Voices, Op. 3: II. Angosciosi deliri
  3. Giovanni Battista Mazzaferrata: Canzonettas & Cantatas for 2 Voices, Op. 3: III. Che impertinente usanza
  4. Giovanni Battista Mazzaferrata: Canzonettas & Cantatas for 2 Voices, Op. 3: IV. Tormenti che volete
  5. Giovanni Battista Mazzaferrata: Canzonettas & Cantatas for 2 Voices, Op. 3: V. Che t’ho fatto o speranza
  6. Giovanni Battista Mazzaferrata: Canzonettas & Cantatas for 2 Voices, Op. 3: VI. Amor vorebbe far delle solite sue