Byrd's vocal works would have assured him a place in history as the greatest English composer of his generation. Yet he was also the outstanding composer of his time in the realm of instrumental music - indeed, probably the first musician to achieve supreme stature simultaneously in music for voices, for instrumental consort and for solo keyboard instrument.
This richly imaginative and polished music gives no hint of its pioneer nature; considering the keyboard tradition, or rather the apparent lack of tradition before Byrd, the originality of his achievement is awesome. His genius is to transfer with such apparent ease his ideas from the brain to the page, and to the keyboard, without spoiling their freshness in the process. ‘The Naturall inclination and love to the Art of Musicke,’ he wrote, ‘wherein I have spent the better part of mine age, have been so powerfull in me, that even in my old yeares which are desirous of rest, I cannot containe my selfe from taking some paines therein.’
His words indicate not only a continually refreshed wellspring of imagination but also a perfectionist temperament that continually drove him to refine his technique. In the hands of Pieter-Jan Belder, whose experience in the field of 17th-century keyboard music is almost unrivalled, these songs and dances and themes and variations seem to develop and unfold as naturally as a tree buds and spreads.
Only one recording of Byrd’s complete music for keyboards has been made before now, and it is now unavailable, leaving this new recording by Pieter-Jan Belder in magnificent solitude. The collection begins with two discs of pieces for organ, played on a trio of Dutch instruments chosen for their varied colours and sizes. CD3 and 4 contains the pieces to be found in the Fitzwilliam Virginal Book, of which Belder made the first ever complete recording for Brilliant Classics. The last three discs are dedicated to My Lady Nevells Booke, the beautifully preserved collection which most comprehensively preserves his contribution to keyboard literature.
- William Byrd (c.1540-1623) was an English composer of late Renaissance music. Considered among the greatest composers of the Renaissance, he had a profound influence on composers both from his native England and on the continent. On his death, he was reported in the records of the Chapel Royal as ‘father of Music’. He wrote in many of the forms current in England at the time, including various types of sacred and secular polyphony, keyboard (the so-called Virginalist school), and consort music. His keyboard music is of the highest order, it includes dances like the Gaillard and Pavan, Voluntaries and sets of variations on songs.
- Byrd's harpsichord pieces, notable for their intricate counterpoint and rich harmonies, reveal his deep understanding of keyboard technique and his ability to convey intricate emotions through his music. His organ works exhibit a sense of grandeur and solemnity, capturing the ecclesiastical atmosphere of the time. The collection "My Ladye Nevells Booke" stands as a testament to his prowess, offering a varied selection of keyboard pieces.
- Byrd's exploration of polyphony and chromaticism within the confines of his keyboard compositions reflects his remarkable skill and artistic innovation. His complete harpsichord and organ music remain an invaluable treasure trove, offering a glimpse into the soul of Renaissance England's musical genius.
- This set presents a new recording of the complete organ music, the complete works from the Fitzwilliam Virginal Book and the complete Ladye Nevells Booke.
- Pieter-Jan Belder is one of the world’s foremost keyboard players, with an astonishing number of CDs to his name: the complete Scarlatti Sonatas, Bach keyboard works, Rameau, Soler, Duphly, Marais, CPE Bach, Corelli, Purcell, Telemann, the complete Fitzwilliam Virginal Book...to be continued. Critics praise his versatility, his innate feeling for style, his impeccable technique: “Superb keyboard artistry and consummate technique” (MusicWeb), “alive, fresh-sounding and thoroughly engaged..” (Fanfare), “The most vital Bach performances of the moment” (Volkskrant).
William Byrd: If my complaints, BK103 (Pipers Galliard)
William Byrd: Pavan the Earl of Salisbury, BK15a
William Byrd: Galliards, BK15b/c
William Byrd: Susanna Fair, MBLV50 (123)
William Byrd: An Alman, BK117
William Byrd: Echo Pavan, BK114a
William Byrd: Galliard, BK114b
William Byrd: Pavan, BK76
William Byrd: Galliard, BK77
William Byrd: The Bells, BK38
William Byrd: Robbin Hood, MBV63
William Byrd: Pavan, BK100a
William Byrd: Galliard, BK100b
Disk 2
William Byrd: A Praeludium, BK116
William Byrd: Ut, re, mi, fa, sol, la, BK58
William Byrd: Three French Coranto’s, BK21
William Byrd: O quam gloriosum est regnum, BK119
William Byrd: ….Secunda pars, BK120
William Byrd: Goe from my Windoe, BK79
William Byrd: A Horne Pype, BK39
William Byrd: Pavana lachrymae, BK54
William Byrd: Galiarda, BK55 (Harding set by Byrd)
William Byrd: Paven, BK73a
William Byrd: Galiard, BK73b
William Byrd: A Grounde, BK43
William Byrd: Pavion, BK23a
William Byrd: Galliard, BK23b
William Byrd: A Fancy, MBLV55 (arr. Tomkins)
William Byrd: If my Complaints or Pypers gal[iard], BK118
William Byrd: Pavan, BK33a
William Byrd: Galliard, BK33b
William Byrd: Care for thy Soule, MBLV52
William Byrd: Galliardo Mris. Marye Brownlo, BK34
William Byrd: Paven, BK72a
William Byrd: Galliard, BK72b
William Byrd: Parludam, BK115
William Byrd: A Grounde, BK86
Disk 3
William Byrd: La volta, BK91
William Byrd: Pavan, BK99a
William Byrd: Galliard, BK99c
William Byrd: Quadran pavan, BK70a
William Byrd: Quadran galliard, BK70b
William Byrd: The Hunt’s up, BK40
William Byrd: Pavana, BK4a
William Byrd: Galliarda, BK4b
William Byrd: Prelude in A Minor, BK12 (First Version)
William Byrd: Fantasia in A Minor, BK13 (First Version)
William Byrd: Pavana, BK52a
William Byrd: Galliarda, BK52b
William Byrd: Fantasia in G Major, BK62
William Byrd: Wolsey’s/Wilson’s Wilde, BK37
William Byrd: Ut mi re, BK65 (First Version)
William Byrd: O mistris myne, BK83
William Byrd: The Ghost, BK78
Disk 4
William Byrd: Sir John Gray’s Galliard, BK104
William Byrd: Gipseis Round, BK80
William Byrd: Monsieurs Alman, BK44
William Byrd: Malt’s Come Down, BK69
William Byrd: A Medley, BK62
William Byrd: Pavana Delight, BK5a
William Byrd: Galliarda [Delight], BK5b
William Byrd: Miserere 3 Parts, BK48 (First Version)
William Byrd: Miserere 4 Parts, BK49 (First Version)
William Byrd: Callino casturame, BK35
William Byrd: Pavan Bray, BK59a
William Byrd: Galliarda [Bray], BK59b
William Byrd: A Gigg, BK22
William Byrd: Prelude, BK24
William Byrd: Pavan, BK101
William Byrd: Corranto, BK45
William Byrd: Fortune, BK6
William Byrd: Alman, BK11
William Byrd: Galliard, BK53
William Byrd: Monsieurs Alman, BK87
William Byrd: Alman, BK89
William Byrd: La volta (Morley set by Byrd), BK90
William Byrd: In Nomine, BK51(Parsons, set by Byrd)
Disk 5
William Byrd: Prelude in G Minor, BK1
William Byrd: Fantasia in G Major, BK63
William Byrd: Christe, qui lux [es et dies], BK121
William Byrd: Fantasia, MBLV55 (Byrd arr. Thomas Tomkins)
William Byrd: In nominee, BK51 (Parsons set by Byrd)
William Byrd: Ut re mi, BK65
William Byrd: Gloria tibi trinitas, BK50
William Byrd: A Ground, BK9
William Byrd: Prelude & Fantasia in A Minor, BK12&13
William Byrd: The Queens Alman, BK10
William Byrd: Voluntary for my Lady Nevell, BK61
William Byrd: Pavan Lachrymae, BK54 (Dowland arr. Byrd)
William Byrd: Fantasia in G Major, BK62
Disk 6
William Byrd: Fantasia A Lesson in Voluntaire in C Major, BK26
William Byrd: Miserere, BK66
William Byrd: Miserere, BK67
William Byrd: Ut, re, mi, fa, sol, la, BK58
William Byrd: Ut, re, mi, fa, sol, la, BK64
William Byrd: A Verse of Two Parts, BK28
William Byrd: A Fancie in D Minor, BK46
William Byrd: Salvator Mundi, BK68
William Byrd: Salvator Mundi, BK69
William Byrd: A Voluntarie in C Major, BK27
William Byrd: Clarifica me, BK47
William Byrd: Clarifica me, BK48
William Byrd: Clarifica me, BK49
William Byrd: Prelude and Fantasia in C Major, BK24&25
Disk 7
William Byrd: My Ladye Nevells Booke, IWB 162: I. My Ladye Nevels Grownde, MB57
William Byrd: My Ladye Nevells Booke, IWB 162: II. Qui passe for my Ladye Nevell, MB19
William Byrd: My Ladye Nevells Booke, IWB 162: III. The Marche Before the Battell, MB93
William Byrd: My Ladye Nevells Booke, IWB 162: IV. The Battell, MB94 - The Souldiers Sommons - The Marche of the Foote Men - The Marche of the Horsmen - The Trumpetts - The Irishe Marche - The Bagpipe and the Drone - The Flute and the Droome - The Marche to the Fight - The Retreat
William Byrd: My Ladye Nevells Booke, IWB 162: V. The Galliarde for the Victorie, MB95
William Byrd: My Ladye Nevells Booke, IWB 162: VI. The Barelye Breake, MB92
William Byrd: My Ladye Nevells Booke, IWB 162: VII. A Galliards Gygge, MB18
William Byrd: My Ladye Nevells Booke, IWB 162: VIII. The Huntes Upp, MB41
William Byrd: My Ladye Nevells Booke, IWB 162: IX. Ut Re Mi Fa Sol La, MB64
William Byrd: My Ladye Nevells Booke, IWB 162: X. The Firste Pavian, MB29
William Byrd: My Ladye Nevells Booke, IWB 162: XI. The Galliarde to the Same
William Byrd: My Ladye Nevells Booke, IWB 162: XII. The II Pavian, MB71
William Byrd: My Ladye Nevells Booke, IWB 162: XIII. The Galliarde to the Same
William Byrd: My Ladye Nevells Booke, IWB 162: XIV. The III Pavian, MB14
William Byrd: My Ladye Nevells Booke, IWB 162: XV. The Galliarde to the Same
Disk 8
William Byrd: My Ladye Nevells Booke, IWB 162: XVI. The IIII Pavian, MB30
William Byrd: My Ladye Nevells Booke, IWB 162: XVII. The Galliarde
William Byrd: My Ladye Nevells Booke, IWB 162: XVIII.The V Pavian, MB31
William Byrd: My Ladye Nevells Booke, IWB 162: XIX. The Galliarde
William Byrd: My Ladye Nevells Booke, IWB 162: XX. Pavana the VI. Kinbrugh Goodd, MB32
William Byrd: My Ladye Nevells Booke, IWB 162: XXI. The Galliard
William Byrd: My Ladye Nevells Booke, IWB 162: XXII. The Seventh Pavian, MB74
William Byrd: My Ladye Nevells Booke, IWB 162: XXIII. The Eighte Pavian, MB17
William Byrd: My Ladye Nevells Booke, IWB 162: XXIV. The Passinge Mesures Pavan, MB2
William Byrd: My Ladye Nevells Booke, IWB 162: XXV. The Galliarde
William Byrd: My Ladye Nevells Booke, IWB 162: XXVI. A Voluntarie for my Ladye Nevell, MB61
William Byrd: My Ladye Nevells Booke, IWB 162: XXVII. Will Yow Qalke the Woodes Soe Wylde, MB85
William Byrd: My Ladye Nevells Booke, IWB 162: XXVIII. The Maidens Song, MB82
William Byrd: My Ladye Nevells Booke, IWB 162: XXIX. A Lesson of Voluntarie, MB26
William Byrd: My Ladye Nevells Booke, IWB 162: XXX. The Seconde Grownde, MB42
Disk 9
William Byrd: My Ladye Nevells Booke, IWB 162: XXXI. Have with Yow to Walsingame, MB8
William Byrd: My Ladye Nevells Booke, IWB 162: XXXII. All in a Garden Grine, MB56
William Byrd: My Ladye Nevells Booke, IWB 162: XXXIII. Lord Willobies Welcome Home, MB7
William Byrd: My Ladye Nevells Booke, IWB 162: XXXIV. The Carmans Whistle, MB36
William Byrd: My Ladye Nevells Booke, IWB 162: XXXV. Hughe Ashstons Ground, MB20
William Byrd: My Ladye Nevells Booke, IWB 162: XXXVI. A Fancie, MB25
William Byrd: My Ladye Nevells Booke, IWB 162: XXXVII. Sellingers Rownde, MB84
William Byrd: My Ladye Nevells Booke, IWB 162: XXXVIII. Munsers Almaine, MB88
William Byrd: My Ladye Nevells Booke, IWB 162: XXXIX. The Tenthe Pavian, Mr W Peter, MB3
William Byrd: My Ladye Nevells Booke, IWB 162: XL. The Galliard
William Byrd: My Ladye Nevells Booke, IWB 162: XLI. A Fancie, MB46
William Byrd: My Ladye Nevells Booke, IWB 162: XLII. A Voluntarie, MB27